萧红生活在一个苦难的时代,萧红的人生也经历了太多的苦难。
Xiao Hong lived in a time of misery, and the same with her life.
你可能会认为艺术变得更加怀疑幸福,因为当今时代已经看到了如此多的苦难。
You could argue that art became more skeptical of happiness because modern times have seen so much misery.
尤其在《玛丽·巴顿》这本书的前几章,是对19世纪40年代英国工业时代工人苦难的一个感人回应。
Mary Barton, particularly in its early chapters, is a moving response to the suffering of the industrial worker in the England of the 1840s.
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