研究中国古代歌诗艺术生产与消费问题,对我们全面认识中国古代诗歌史具有重要理论意义。
To study its production and consumption is of great theoretical significance for us to understand overall the history of ancient Chinese poetry.
本论文从艺术生产与消费的角度,对汉代社会歌舞娱乐盛况以及从艺人员构成情况进行了详细的文献考察。
This thesis, starting from the perspective of art producing and consumption, reviews the singing and dancing entertainment and the composition of actors in the Han period.
像许多人注意到的那样,个性化所要求的,是创造者与消费者、艺术家与粉丝、生产者与用户之间的不断对话。
As many have noted, personalization requires an ongoing conversation between the creator and consumer, artist and fan, producer and user.
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