通过对历史的研究以期待对现代艺术状态有更清晰认识。
Through the history is researched it anticipated a clearer understanding to the modern art condition.
文本呈现着一种痛苦抉择与游曳不定的艺术状态和文化张力。
The version emerge a suffering choose and unstable artistic state and cultural tension.
第二部分对20世纪末中国版画呈现的艺术状态进行了分析。
The second part has analyzed the art conditions of China prints in the end of 20 century.
That word, "impersonality"-- made famous by T.S. Eliot who advocated that is the stance from which all great art should proceed.
非个人化”之所以出名-,是因为T。S。艾略特所提倡的,是所有伟大的艺术都应该归于的状态。
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