文章立足于人与世界关系的维度，分析了17世纪法国新古典主义文学的理性价值立场及其艺术得失。
This essay tries to analyze the attitude of the rational value of neo-classical literature in the 17th century in French based on the relationship between man and the world.
程高本后四十回之真伪与艺术上之得失，是红学研究的一大积案。
The true and false judgment of Cheng and Gao edition's back forty chapters as well as its artistic value are the pending problems in "Red" study.
生活的艺术就是平衡得失的艺术。
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