艺术客体是与艺术主体相对的主客观审美事物，是艺术主体任何和实践的对象，人类的艺术活动不能离开客体，更不能离开主体，艺术是主体与客体的辩证统一。
对于比例来说它的重要性肯定会减弱，因为艺术天才们开始注重客体的主观概念而超过了客体本身。
Its importance was bound to diminish in proportion as the artistic genius began to emphasize the subjective conception of the object in preference to the object itself.
艺术活动的主体中有受到客体的感召和刺激需要才能变为动机才能促发艺术活动。
The need can change into the motive and spring off artistic activities only if the subject of activities have been impelled or stimulated by the objects.
物质生产为原始艺术提供客体形式因素，人自身的生产为原始艺术提供主体情感因素。从自我意识和对象意识的初步建立，到。
The physical production provides the object form factor for the primitive arts, and the person own production provides the main emotion factor for the primitive art.
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