这一切造成了艺术与真理的分道扬镳。

All of which had caused arts parted ways with the truth.

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第四部分，在关于艺术与真理的问题的关系问题上，论文从传统真理观逐层深入地进行分析，从真理与自由、真理与非真理角度得出存在的真理即“无蔽”。

He explores the relationship by means of analyzing the traditional views on truth and draws ainconclusion that the truth of "Being" is "Alotheia", which founds itself in the artistic works.

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伽达默尔是以“审美无区别”来反对康德的“审美区别”，来拉近艺术和真理的界限，把艺术整体与完整存在全然联系起来。

Gadamer is "no distinction between the aesthetic," to oppose Kant's "aesthetic distinction" to narrow the boundaries of art and truth, and integrity of the arts as a whole there is completely linked.

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