同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？

Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?

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曾几何时，“仙灵”大可涵盖各种形形色色的生物，但如今它已染上过多的联想色彩。

Once upon a time, fairy was a perfectly acceptable catchall for a variety of creatures, but now it has taken on too many associations.

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同时，也对四色问题与初等几何定理证明作了简单的讨论。

Additionally, the well-known four colour problem and elementary geometry theorem-proving problem have been discussed.

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