...的兩个面向，一则源自中产阶级(bourgeois idea of modernity )强调工具理性、崇尚实用功 利，而美学现代性(aesthetic modernity)则以强烈的批判姿态、各种前卫艺术运动，否定传统价值及 理性秩序。 17 同注14，p.80-81.
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无疑，在邱振中的身上，彰显的是中国书法美学现代性激进与折衷的两幅面孔。
No doubt, in QIU Zhen-zhong appear the two radical and compromising faces of the aesthetic modernity of Chinese calligraphy.
王国维对2 0世纪中国文艺美学现代性建构的探寻，是建立在中西方文化平等对话的基础上的。
Wang Guowei's exploration of the modern construction of 20th century China's literary aesthetics is based on the equal interactions between Chinese and Western culture.
他也正是借文化这一平台来揭露纷繁的人生真相，并作为其个人在复杂的现代性境遇中的美学立场和生存态度。
He also exposes the complex life truth by cultural platform, and makes it as individual esthetic standpoint and survival attitude in complicated modern circumstances.
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