第二章主要从美学的角度探讨了象征的审美意蕴。
The author mainly explores esthetic implication of symbol in the direction of aesthetics in chapter two.
孟子美学中的“充实之谓美”命题所包含的审美意蕴是丰富而深刻的。
Mencius' aesthetic connotation of proposition that fullness was beauty was rich and profound.
通过对比研究发现共同点是二者的显性方面，大量的戏剧共同凸显出相似的美学特征与审美意蕴。
After comparative study I find the common ground is obvious. A lot of dramas highlight a common feature with similar aesthetic subjects.
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