而呈现在他小说种族叙述中对黑人既恨又爱的思想性悖论，则源于个人思想与传统观念之间的继承与反叛。
His paradox presented in the novel of racial narratives, it is derived from the individuals thinking and traditional concepts of inheritance and rebel results.
在继承中反叛，在反叛中回归，这正是北野武电影的主题，也是他创作电影的出发点与归宿。
Rebellion in inheriting, returning in rebelling, this is Takeshi's films' jumping-off point and regression point.
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