纪实性美学 Recordable aestheticism
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新生代电影认同巴赞、克拉考尔纪实美学的主张，创作中拒绝作出任何带有主观色彩的批评与暗示。
New generation movies inherit the on-the-sport esthetics propositions by Bazan and Clarkl and refuse to make any objective criticism and hint.
1994年以《九·一八大案纪实》和《西部警察》为标志，中国警察影像的纪实美学完满形成并达到高点。
In 1994 a documentary of September 18th Case and the Western police marked both the establishment and the peak of documentary aesthetics in Chinese videos about the police.
而纪实主义电影美学理论的重要理论源流就是现象学现实主义。
The aesthetic theory on which the documentary film is based can be categorized as the phenomenological realism.
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