然而，在文艺复兴时期，同样的材料被用来对抗它的“本性”，按照佛罗伦萨的传统的精细的雕刻细节。
Yet during the Renaissance, this same material had been used against its "nature", in the Florentine tradition of sharply carved detail.
屋檐上精细地描着粉红色和绿色的油漆，还有花卉和动物的雕刻。
The eaves are painted in delicate pinks and greens, with flower and animal carvings.
雕刻是一个很精细的活——这个雕刻是用千分之三英寸的蜡制作的。
Engraving is a rather precise operation - this engraving was cutting only three thousandths of an inch of material out of the wax.
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