This thesis analyzes the relationship between brushwork and sculpt, composition and color and finishes the change of the wash character modernization on the aspect of painting and the background of social culture.
本文从绘画的角度，站在社会文化的背景上，对笔墨与造型、构图、色彩三大绘画元素进行分析各自在不同时期与西方绘画的碰撞与融汇，从而完成水墨人物画向现代化的转型。
参考来源 - 更生与历炼·2,447,543篇论文数据，部分数据来源于NoteExpress
在现阶段，要正确处理好笔墨与造型的关系问题，使其保持住自身的笔墨趣味的同时又不会失掉造型的准确性。
Nowadays, we need to deal with the relation of washing and sculpt, makes it keep washing gusto of itself, at the same time, as well as not taking leave of veracity of sculpt.
笔墨是中国山水画艺术造型的主要表现语言，意境是中国山水画审美内涵与艺术感染力的主要内容。
Brush and ink are major languages for modeling in Chinese landscape paintings, and the artistic conception is the main contents of their aesthetic intensions and appeals.
传统水墨画以笔墨作为主要造型手段，是有其独特的思想渊源和历史渊源的，当然这也与笔墨自身的特征不可分割的。
As a result of having a unique origin of ideology and history, of the feature of Pen and Ink, Chinese Traditional Ink Painting regards "Pen and Ink" as its key plastic method.
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