当这些事件公开出现在社会表面时，就变成了离我们很“遥远”的、清晰的、引起公愤的新闻素材。
Those, when they happen to surface publicly, make for clear and outrage-inducing news fodder from great distances away.
梅塔最有名的作品是由影片《土》(1996)、火(1998)和获奥斯卡最佳外语片提名的《水》(2005)组成的“元素三部曲”。这三部电影探讨存在于印度社会表面底下的令人不安的问题。
Mehta is best-known for her Elements trilogy, Earth (1996), Fire (1998) and the Oscar-nominated Water (2005), films that explore uncomfortable issues beneath the veneer of Indian society.
这一变化主要是表面文章，不过是受欢迎的政治性虚华词藻而非社会现实。
The change is largely cosmetic, a matter of acceptable political rhetoric rather than social reality.
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