图像表意的强化与文字审美的式微正在改写这个时代的艺术社会学和符号美学。
Reinforcement of image ideograms and the decline of character appreciation are changing the artistic sociology and symbol aesthetics of this age.
本文主要关注技术对艺术的负面影响，从社会学和人性论的角度对技术进行了批判。
The thesis is largely concerned with that technology affects art negatively. The author criticized technology from the Angle of sociology and theory of human nature in this thesis.
本文在研究方法上借鉴了现今西方趋于成熟的女性艺术史研究的典型方法，即图像分析、风格分析、心理学和社会学的结合。
This thesis applies the typical approach which is increasingly mature in western art history study, i. e. the combination of image analysis, style analysis, psychology and sociology.
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