导演还得掌握好每个画面的安排，每个场次的灯光照明以及每一个动作的速度与节奏。
The director controls the composition of each frame, the lighting of each scene, and the pace and rhythm of each movement.
从而突出画面因此而形成的形式感，人物间的疏密排列，大小安排也为画面的节奏增色不少。
The density of this arrangement, the big and small of the characters will all contribute to the rhythm.
移山之一，经过转换变形后的山体，被安排在各画面的前景。
In series I, the transformed and deformed mountains are arranged in the foreground of each painting.
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