From 1920,the "nation-discurse" has been an important part in Chinese Film Criticism.
纵观自上世纪20年代以来的中国电影批评，“民族”这一概念始终是重要内容之一。
参考来源 - 中国电影批评中的“民族话语”My paper is about the relationship between Lu Xun and film aesthetics, the core of which is Lu Xun's film criticism.
这篇论文就是要研究鲁迅和电影的关系，其内核是鲁迅的电影批评。
参考来源 - 鲁迅与中国电影批评范式的双轨解读·2,447,543篇论文数据，部分数据来源于NoteExpress
论西方的中国电影批评，【美】尼克·布朗/文，陈犀禾、刘宇清/译。
The Western Critics of Chinese Cinema, by Nick Browne, trans. Chen Xihe, Liu Yuqing.
同时，后现代主义理论为这种电影批评提供了众多的思想资源和研究方法。
Meanwhile, the post-modernism theory provides this kind of film criticism with ideas and research methods.
女性主义电影批评大致经历了三个阶段，即形象批评、叙事结构批评和文化批评阶段。
There are about three stages in the feminism film criticism such as image criticism, narrative construction criticism and culture criticism.
应用推荐