今晚电视有两部好电影,但播出时间有冲突。
献身电影的人们派出了潜艇期待这个注定发生的镜头转向剧终,届时喧嚣的冲突将由怪异的、棘手见称的寂静所取代。
DEVOTEES of films set on submarines look forward to the inevitable scene towards the end in which tumultuous conflict is replaced by eerie, character-testing stillness.
他认为那些通俗的电影与真实历史之间存在着与生俱来的冲突:“美国人喜欢把他们的电影分为开始、中期和结局三大段。”
And popular films, he pointed out, have an inherent problem with the past: "Americans like their movies with a beginning, a middle and end."
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