这就是为什么相对于那些沉湎于与生命无关的对抽象事物的理智，我更喜欢戏剧化的生活，渴望被内心的怒火耗尽，享受被命运无常所折磨。

That is why I prefer the dramatic life, consumed by inner fires and tortured by destiny, to the intellectual, caught up in abstractions which do not engage the essence of our subjectivity.

youdao

人物是否乐意或不情愿放弃他们的错误？戏剧的结局和回复理智，说明戏剧的什么价值？

Do the characters seem happy or reluctant to give up their errors? What does the conclusion of the play, the restoration of sense, say about the play's values?

youdao