高晓声的象征性小说并不排斥传统的现实主义的手法，而是象征主义与现实主义的巧妙结合。
Gao Xiaosheng's symbolic novels do not repel the traditional realistic writing techniques, but combine the symbolism with realism skillfully.
他大量运用现实主义与自然主义的手法，记录了二十世纪早期加拿大西部草原拓荒者和安大略工业家的动人故事。
Largely using realism and naturalism, Grove writes about the tragic stories of the early settlers in the prairie area and the early industrialists in Ontario.
到1918年，他再次摆脱现实主义，而将幻想画的手法(包括抽象的飞行物)与立体派的风格揉合于他的作品之中。
By 1918 he had moved away from realism again and was blending fantasy-including abstract flying figures-and cubism in his work.
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