现实主义批评话语的强大背景使他们的这种心态更为显著。

The background of the realistic literary criticism made their concerns more conspicuous.

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接下来,安瑟尔的艺术脚步又迈向了非现实主义.他远离自己在法国和德国的现代派同仁(还经常对他们发脾气),将自己隔离,创造出一种完全自我的梦幻般的视觉语言.他对比利时文化的犀利批评是不严肃的。

Ensor’s artistic leap into unreality is next. Isolated from his modernist peers in France and Germany (and often resentful of them), he managed to create a dreamy visual language all his own.

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批评是个超现实主义的东西，就像是良药变坏了。

Criticism is a surreal state, like a good drug gone bad.

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