演说人的声音大厅后排听不见。
那位演说人几乎没有说出什么值得听的东西。
那位演说人几乎没有说出什么值得听的东西。
When there's a speaker of a poem who is not to be confused with the poet himself, there is typically a framing device.
当诗歌的演说人没有被诗歌自身困惑时,这里就有一种典型的框架。
It's as if the distinction between John Milton and the speaker of Lycidas wasn't really operative.
似乎弥尔顿和的演说人之间的区分,并不是那么重要的。
I think we're fully entitled to ask why: why Milton waits for the last eight lines of his poem to tell us that there's a difference, that there's a difference between the poet and the speaker.
我们完全有权利问为什么:,为什么弥尔顿要等到诗的最后8行,才告诉我们这里的区别,这里诗人和演说人之间的区别。
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