他的心是一汪广阔的湖水，熠熠闪光，既没有浪漫主义的沟壑，也没有彼岸世界的回音。
His mind is like one vast, brilliantly lighted lake, where are no deep romantic chasm nor echoes of the other world.
这种描绘，既充满了对风云诡谲，狂涛巨浪下的艺术命运的浪漫主义想象，又包含了对此岸和彼岸之间相互转换关系的现实主义判断。
This kind of describe, not only imbuing with the romanticism envision of the Arts'fate, but also including the realism judgment of exchange relation between temporality and Faramita .
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