“象形”“会意”思维规律奠定了传统艺术思维民族性特征基础。

The thinking rules establish the foundation of nationalism of traditional art thinking.

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第三部分，格里格钢琴抒情小品中民族性特征在演奏与教学二度创作中的体现。

The third part, Grieg Piano lyrics by national feature of playing and teaching in the second creation of the embodiment.

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本文从传统的中国画的“笔墨”、“诗书画印”、以及“空白”、“意境”等几个方面来阐述中国绘画的民族性特征。

From the "pen and ink", "poetry and print", "blankness"and "the mood of a literary work"of the tradition.

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