...”(art in Europe)角度去思考,其中涉及不同地区或国家带有强烈自我意识的文化;也有足够的理由将“欧洲艺术”(European art)传统作为更广泛的“欧洲文化”整体中的一部分进行思考。
基于26个网页-相关网页
欧洲艺术和古董博览会 TEFAF ; TEFAF Maastricht
欧洲艺术博览会 TEFAF ; The European Fine Art Fair
欧洲艺术基金会 European Fine Art Foundation ; TEFAF
欧洲艺术与古董博览会 TEFAF ; The European Fine Art Fair
欧洲艺术古董博览会 TEFAF
欧洲艺术奖 CICAE
欧洲艺术文凭 European art diploma
欧洲艺术基金 European Fine Art Foundation
欧洲艺术学院联盟 ELIA
为什么他们没有像文艺复兴时期的欧洲艺术家那样发现几何透视法呢?
Why did they not discover the geometric perspective as European artists did in the Renaissance?
欧洲艺术与美国餐饮文化此前已经有过交锋。
European art and what passes for American cuisine have crossed paths before.
顺带提一句,我并不是说只有十五世纪的欧洲艺术才是好艺术。
Incidentally, I'm not saying that good art = fifteenth century European art.
And that's something that we'll talk about from time to time in the class, but it's something you'd get more out of,for example, if you studied an art history class, or if you studied a literature class that talked about some of these issues in later European times.
这些我们在课堂上,会经常讨论,但如果你参加其他课,会学到得更多,比如艺术史课程,或者文学课,也会讨论欧洲各个时期的宗教问题。
So, so far the American landscape is already a work of art, already part of a European memory. Then something else happens: "But gradually the models of those elementary rusticities became stranger and stranger to the eye, the nearer I came to know them.
至此关于美国景色的回忆已经是一件艺术品了,已经包含一部分欧洲记忆,之后发生了一些事:,然而渐渐地,我越熟悉那些田园风光的基本模式,越看它们越觉得陌生。
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