对我来说,这是我诗歌生涯中最值得纪念的一段时期。
To me this is the most memorable period of my poetic career.
就像我们小时候边听故事边沉沉睡去一样,安抚身心的录音故事(诗歌和传记都不错,千万别听恐怖故事)对成年人来说同样有效。
Just as a bedtime story soothed and relaxed us when we were children, a calming book on tape (try poetry or a biography, stay away from horror novels) can have the same effect with us grown-ups.
泰斯庇斯在雅典(公元前 6年)是第一个在舞台上表演诗歌的人,因此用术语“泰斯庇斯的“来说一个戏剧表演者的诞生。
Thespis, of Athens (6th BC) was the first person to speak lines as an individual actor on stage, thus the term “Thespian” to refer to a theatrical performer was born.
I quoted the other day Wallace Stevens saying that poetry should "make the visible a little hard to see."
引用华莱士斯蒂文斯的话来说,诗歌应该模糊事物的本质“
Poetry is, in Frost, an encounter between fact and desire: what we want and what is.
诗歌,对弗罗斯特来说,是一种事实和渴望的相遇:,我们想要的和它本身。
For most readers in Milton's time, rhyme was actually constitutive of poetry, and Milton's lines of unrhymed verse here may well have not seemed poetry at all. It was shocking.
对大部分弥尔顿时期的读者来说,押韵是,诗歌的组成部分,弥尔顿这不押韵的诗句,很可能看起来根本不是诗,它令人震惊。
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