古典比例理论的人体测量学和有机性的特点还与第三个特征有着内在联系，即原则与美学上的雄心。
The anthropometric and organic character of the classical theory of proportions is intrinsically connected with a third characteristic, its pronouncedly normative and aesthetic ambition.
“风清骨峻”的审美理想不仅涵盖了阳刚之美，也包容着阴柔之美，是阳刚和阴柔有机融会共同形成的美学境界。
The style as an aesthetic ideal is synthetic of the beautiful and the sublime, say, an organic combination of the charm of Yang with its counterpart of Yin.
总之而之，文章从设计的角度出发，将传统漆器与现实生产、生活有机的结合在一起，并在其中融入了美学的观点。
In a word, regarding the point view of design, this article combines traditional lacquer ware and production and live hood together organically with aesthetic perspectives.
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