他们认为经验主义时代的文化信息通常来自人类学家，这些人类学家带来了一套预先包装好的有意识和无意识的偏见。
They argue that information about cultures during the empiricist era typically came from anthropologists who brought with them a prepackaged set of conscious and unconscious biases.
艺术是一种有意识和无意识的婚姻。
设计师必须同时保持有意识和无意识。
Designers must be both conscious and unconscious at the same time.
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