赵树理是接受美学理论在中国现代文学中的最佳文本。
Zhao Shuli in regarded as the most excellent example of the aesthetics of reception in modern Chinese literature.
在中国古代美学范畴中虽没有“象征”一词，但这并不能说明中国古代文学当中没有象征性的文学理论。
There wasn't the word of "symbol" in esthetics category of Ancient China, but it could not explain there weren't symbolic literature theory in Chinese ancient literature.
本文的理论支持主要来源于三个方面，分别为：可译性的相关理论，俄国形式主义学派的文学批评理论，以及读者接受美学理论。
The theoretical foundation is established on the basis of the related theories on the general translatability, the Russian formalist literary criticism, and the reader's reception aesthetics.
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