麦可曼恩的2004年作品“落日杀神”，他说，“是第一部使用拟真的数位电影，”运用相同程序拍摄他大银幕旧作品“迈阿密风云”的电视影集版。
Michael Mann, whose 2004 Collateral was, he says, "the first photo-real use of digital," is using the same process to shoot the big-screen version of his old Miami Vice TV series.
说书艺术的样貌也许会以书、电影或数位形式记载下来，但纪录和现场说书却是大不相同的。
The image of an oral telling may be caught on paper, film or in digital format, but recordings are not the word Shared live.
可想而知，透过数位制片与发行，美国电影与电视节目要传送到全球各地就更容易了。
It is conceivable that digital production and distribution will simply make it easier to deliver American movies and television shows around the globe.
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