在过去的一周，随着故事的发展我体会了各种不同的情绪：震惊、愤怒、悲伤、厌恶和困惑。

As the story unfolded throughout the past week, I experienced the gamut of emotions: shock, anger, sadness, disgust, confusion.

《柯林斯英汉双解大词典》

通常角色会随着故事的发展而变化，所以你在开始时读到的主题在结尾时可能不是真的！出于这个原因，你需要先通读整篇课文。

Usually characters change as the story goes on, so the theme you get at the beginning might not be true at the end! For this reason, you need to read through the whole text first.

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我们会在一些故事里看到碎片化发展到极端情况时产生的严重或幽默的后果。 我们也可能看到关于同族内战的故事，既可以发生在美国，也可以发生在虚构的地方；有的故事会告诉我们隔壁邻居跟我们讲的不是同一种语言。

We may see stories about fratricidal civil wars, both in the United States and in invented lands, and stories in which next-door neighbors do not even share a common language.

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It is no longer, in other words, that which drives the line in the story.

换句话说，它不再是引领故事发展的主线。

耶鲁公开课 - 文学理论导论课程节选

That's why she produced story after story after story that can be read in these formal ways with these symbols that accrue meaning and deepen and change over the course of the novel or the story.

这就是为什么她写了一个又一个故事,有着象征意义的形式正式的文章，自然而然地形成某种意义,深刻并改变着小说或故事的发展。

耶鲁公开课 - 1945年后的美国小说课程节选

We'll revert especially to the notion of "pushing" in other contexts later in the course, but for the moment you can see the way in which there is a tension between that which pulls and that which pushes which is one of the motive forces of the story.

以后我们会在,其他作品中回归“推“的本意，但是现在我们能看得出来,在推和拉之间有一种张力,这也是整个故事发展的动力之一。

耶鲁公开课 - 文学理论导论课程节选