他凭记忆用一个手指在钢琴上慢慢弹出了那支曲子。

He picked out the tune on the piano with one finger.

《牛津词典》

他会在钢琴上笨拙地移动自己的手指，然后她会接替他的位置。

He'd move his fingers clumsily on the piano, and then she'd take his place.

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谭盾有过类似的概念，就是“功夫钢琴协奏曲”——手指的移动将非常快，还要用上手掌和手肘弹奏。

Tan Dun had this concept of a kung-fu piano concerto — lots of extreme finger movement and using elbows and palms to play.

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