我与我自己和我作品中的角色作斗争。

I battle with my self and the characters in my works.

youdao

首先，通过目标的成果，我的作品致力于探讨一个与我的住所实用性的、空间的、记忆的、虚构的、展开的关系。

Primarily, via the production of objects, my practice explores a practical, spatial, mnemonic, imaginary, expanded relationship to dwelling.

youdao

喋喋不休地讲述自己的作品是令人厌烦的，但我的人生是与我的作品紧密相连的，不讲作品，我感到无从下嘴，所以还得请各位原谅。

Prattling on and on about my own work must be annoying, but my life and works are inextricably linked, so if I don't talk about my work, I don't know what else to say.

youdao

Usually it's not. That was the point that discussed in my chapter comparing him to Houston's film The Dead. Houston's film is filled with sentimentality and nostalgia. Welles generally avoids that, the way James Joyce does.

通常并非如此，那正是我在比较,他的作品与休斯顿的电影《死魂灵》,的章节中所谈到的，休斯顿的电影,充满了多愁善感和怀旧情绪，而威尔斯通常,尽量避免那样做，那是詹姆斯·乔伊斯的方式。

麻省理工公开课 - 电影哲学课程节选