吸收专家智慧的不是技巧,而是戏剧本身。
It's not mechanics, but the play itself, that absorbs the experts' intelligence.
对戏剧本身我一直是很有信心的。
以上结束了我们对曼哈顿距离的初次讨论,在今后我们处理基于网格的游戏剧本时迟早会用到它的。
That concludes our first look at Manhattan distance, which will come in handy again in the future when we deal with grid-based scenarios.
These two dialogues, it should be evident, I mean, differ not only in content but in their dramatic context.
这两本语录,很明显地,不只是内容不同,其戏剧性的脉络更是不同。
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