无论是人类的模仿本能,还是对幻想的嗜好本身,都不会单独成为独立的戏剧形式。
Neither the human imitative instinct nor a penchant for fantasy by itself leads to an autonomous theater.
要理解这一点,我们首先需要看一看早期那些制作精良的戏剧形式,这基本上就是一种构建戏剧的模式。
To understand this though, we first need to look at an earlier form of drama known as the well-made play, which basically was a pattern for constructing plays.
到他出生之日,欧洲正目睹着宗教戏剧的消亡,以及在古典悲剧和喜剧的激发下新的戏剧形式的诞生。
By the date of his birth Europe was witnessing the passing of the religious drama, and the creation of new forms under the incentive of classical tragedy and comedy.
Now the theatrical form of the mask differs in a number of ways from the more familiar dramatic form of the play, with which we're all obviously much more comfortable with.
现在面具的表演形式,与我们更熟悉更适应的戏剧表演形式,在很多地方相差很远。
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