意象叠加即将一个意象叠加在另一个意象之上它实质上是一种隐喻,由于喻体与本体之间省去了联系词,故而两个具体意象就叠加在一起了读者必须摆脱常规的思维进行跳跃式联想想象,才能找到意象间的微妙联系
意象叠加(image hosition)是由20世纪初英美意象派最早提出的。美国意象派代表诗人庞德在研究中国诗歌时发现,一个意象与另一个意象并置叠合,会产生微妙的...
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我们永远不会知道,弥尔顿在这句描写门边的双手引擎的,刻意的意象叠加里想要表达什么。
Now we will never know, and don't let anyone ever suggest to you that you will ever know, what Milton could possibly mean by this deliberately perplexing image of the two-handed engine at the door.
枫树与猿声并行出现在作品中是视觉与听觉的互应,是双重意象的叠加,并以此升华了作家的主观情感。
The appearance of ululation of apes together with the imagery of maple in poems is an auditory echo of seeing and this forms a double-imagery and sublimates the subjective feelings of poets.
Now we will never know, and don't let anyone ever suggest to you that you will ever know, what Milton could possibly mean by this deliberately perplexing image of the two-handed engine at the door.
我们永远不会知道,弥尔顿在这句描写门边的双手引擎的,刻意的意象叠加里想要表达什么。
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