这简直就像一部怀旧电影，很快就进入了存在主义的焦虑时刻。

This was like a bad film, quickly escalating into one of those existential angst moments.

youdao

马吉迪：(翻译)我的电影能唤起人们对童年的怀旧回忆，让他们想起我一向喜爱的童话角色。

Majidi: Interpreted My movies bring back 9 nostalgic memories of childhood, and the characters that I always loved.

youdao

正如十年前的半自传性电影《天堂电影院》(Cinema Paradiso)所展示的，朱塞佩·多纳托雷(Giuseppe Tornatore)十分善于挑动你那怀旧的心弦。

As he demonstrated a decade ago with his semi-autobiographical film, "Cinema Paradiso," Giuseppe Tornatore can be awfully good at plucking nostalgic heartstrings.

youdao

Usually it's not. That was the point that discussed in my chapter comparing him to Houston's film The Dead. Houston's film is filled with sentimentality and nostalgia. Welles generally avoids that, the way James Joyce does.

通常并非如此，那正是我在比较,他的作品与休斯顿的电影《死魂灵》,的章节中所谈到的，休斯顿的电影,充满了多愁善感和怀旧情绪，而威尔斯通常,尽量避免那样做，那是詹姆斯·乔伊斯的方式。

麻省理工公开课 - 电影哲学课程节选