You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.

在大诗人约翰·德莱顿所写的,押韵版的《失乐园》中能很明显看到，这中孤联诗句的机制。

耶鲁公开课 - 弥尔顿课程节选

Milton brings to his critique of rhyme that same -- and this is familiar - the same political rhetoric that he had brought to his critique of monarchy in the regicide treatises.

弥尔顿对押韵的批判与他--这很相似,-与他在为弑君辩护的文章中,对君主政权的政治批判很相似。

耶鲁公开课 - 弥尔顿课程节选

For most readers in Milton's time, rhyme was actually constitutive of poetry, and Milton's lines of unrhymed verse here may well have not seemed poetry at all. It was shocking.

对大部分弥尔顿时期的读者来说，押韵是,诗歌的组成部分，弥尔顿这不押韵的诗句,很可能看起来根本不是诗，它令人震惊。

耶鲁公开课 - 弥尔顿课程节选