Mouche其实是18世纪里昂附近的一地名，那里盛产这种 平底游船，后来被BateauxMouches的创始人让•布里埃（Jean BRUEL）拿来命名他经营的塞纳河游船，沿用至今。
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在布里埃舞厅后面还有一家我常去的画室，那是马克·斯威夫特的画室。
Back of the Bal Bullier was another studio I got into the habit of frequenting - the studio of Mark Swift.
这是40岁的奥布里埃周三下午在讲述他深夜逃生的惊险过程。 在残破的摩加迪沙非盟军事基地，他正等着乘坐飞机返回巴黎。
Mr. Aubrière, 40, recounted his daring midnight escape in an interview Wednesday afternoon at a dilapidated African Union military base in Mogadishu, where he was awaiting a flight back to Paris.
埃斯皮里图的主题记录了他们在美国不断变化的菲律宾人身份意识，就像布洛桑在第一次大规模移民潮中所做的那样。
Espiritu's subjects document their changing sense of Filipino identity in the United States, much as Bulosan did as a member of the first substantial wave of immigrants.
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