我们从食物中获得快乐的核心是对特定香味的鉴赏能力,就像我们辨别个体的能力是社交生活乐趣的核心一样。
This ability to appreciate specific aromas turns out to be central to the pleasure we get from food, much as our ability to recognise individuals is central to the pleasures of social life.
这就是从外部实施的社会治疗的问题:在现实世界中,就像在学校里一样,我们坚持自己选择朋友。
And that's the problem with a social cure engineered from the outside: in the real world, as in school, we insist on choosing our own friends.
但从19世纪某个时间点开始,更多的艺术家开始认为幸福毫无意义,是虚假的,最糟糕的是有人认为它很无趣,就像我们从华兹华斯的《咏水仙》到波德莱尔的《恶之花》中读到的一样。
But somewhere from the 19th century onward, more artists began seeing happiness as meaningless, phony or, worst of all, boring, as we went from Wordsworth's Daffodils to Baudelaire's Flowers of Evil.
We could get away with just 23 Sodium you could write sodium like this.
从23,钠,我们就知道了,你就可以像这样写钠。
It gets popped off the stack as one says and so you know what the values actually as we've hinted at with our brief discussions of forensics they're actually still there.
它从堆中释放了,那些值是什么,就像我们讨论的辩论练习,所暗示的,我们还在那里。
We have the preamble, and the historical background to the covenant in God's summary introduction to the people in Exodus 20: "I am Yahweh who brought you out of the land of Egypt."
我们有开场白,签订契约的历史大环境,就像《出埃及记》20中上帝总结性的介绍:,“我是将你们从为奴之地领出来的耶和华“
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