然而,总的来说,即使是这些表示赞美的评论家,也对小说所讲的故事和小说的意义不感兴趣。
On the whole, however, even these laudatory critics showed themselves uninterested in the stories that this fiction told, or in their significance.
残雪小说的意义不像传统小说那样清晰、明确和单纯,有太多的空白,存在多种解读的可能性。
Canxue's novels which are different from clear, explicit and monotonous traditional novels have so many blank places that can be explained by many ways.
对于残雪小说的意义,我们不能用传统的“懂”的标准来要求,但也不能把它无限神秘化、虚化。
To the sense of Canxue's novels, we can't demand them according to the traditional level of understanding. We also can't make mystery of them.
And he's parodying both kinds of response in this novel, so in that sense, the novel is very much of its time.
在小说中他模仿了两种方式的应答,从这个意义上说这本小说很有它的时代价值。
Even so experimental a book as John Barth's Lost in the Funhouse is totally absorbed in the problem of what it would mean to write about yourself.
就算约翰,巴思的《迷失在游乐场》这么一部实验小说,也在专注一个问题,就是写关于自己经历的意义。
That's why she produced story after story after story that can be read in these formal ways with these symbols that accrue meaning and deepen and change over the course of the novel or the story.
这就是为什么她写了一个又一个故事,有着象征意义的形式正式的文章,自然而然地形成某种意义,深刻并改变着小说或故事的发展。
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