在这里,他移除了强加进去的“化身”,采取对现实进行了重新排列组合的方式,利用电脑软件对实拍的城市影像进行不露痕迹的拼贴。
In these pictures, besides the embodiment, he also used the method of permutation and combination, he used the computer software to make seamless collage with cities images taken.
第二章从具体作品出发,通过对具体作品中底层影像的分析和描述展示现实底层群体真实的精神世界。
Chapter II starting from the concrete works, concrete works through the analysis and description of the underlying image shows the true reality of the spiritual world underclass.
另外观众对实验影像的误解是不关心现实,这是最大的误读。
Besides, that conventional bias that experimental films are detached from and show nor concern over reality is probably the biggest misconception.
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