用对位法来演奏这两首曲调。
这是复杂的东西,不论是复音还是对位法。
在对位法上,如果高处有旋律,像马库斯说的,那在中间,还有另一部分,那是什么呢?
If we had melody up above in kind of a counterpoint, as Marcus says, there, in the middle, what was the — we had one other part, and what was that?
Now there's another kind of counterpoint called "Free counterpoint" where it's highly independent lines are sounding but they're not imitating one another.
现在又有了另外一种,对位法叫作,自由对位,乐曲里独立的声线同时进行,但是没有彼此模仿
So this is imitative counterpoint because there's one idea that keeps coming back and back and back.
那么,这是模仿式对位法,因为,有个乐句一遍又一遍地重现
We also use the word "Counterpoint" Sort of synonymous with it.
我们也称之为,对位法
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