本文以同时代毕业于美国宾夕法尼亚大学的路易·康和他的中国同学们为例，围绕“历史原理与现代设计如何结合”为线索，探讨了两种不同的设计观念。

This paper analyses the works of Louis Kahn and his Chinese classmates in which there are two different concepts on how to transform the historical principle into modern architecture design.

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