而《西厢记》恰恰既反映了人们审美经验的一致性又反映出审美的变化性。
The Romance of Western Side reflects the coherence and changes of aesthetic experience.
在千利休第一次喝茶之前茶馆早已存在，但是这种审美的最高仲裁者引起了极大的变化。
Teahouses had been in existence long before Sen no Rikyu first put a tea bowl to his lips, but this supreme arbiter of aesthetics introduced changes that became widespread.
它的构图、审美都是在变化与统一的形式美的原则下进行的。它的构图构成要素是点、线、面三要素。
It's composition which is made up of point, line and surface and appreciation are based on the principle of beauty contained in the change and unity.
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