本论文试从女性主义角度解读凯特·肖班《觉醒》中的妇道、母性和自我。
This thesis attempts to analyze wifehood, motherhood and selfhood in Kate Chopin's the Awakening by feminist criticism.
第四部分即第三章进一步从女性主义角度阐释了冰心对《吉檀迦利》的翻译。
Chapter Three further presents her translation of Gitanjali from the viewpoint of feminism.
主张从女性主义角度重新阐释“忠实”,认为译者应该忠实“写作方案”而非作者或读者;
It reinterprets "fidelity" from a feminist perspective and argues that "fidelity" should be directed towards the "writing project" instead of the author or the reader.
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