第一部分：1949年- 1976年的女性电影创作，其特征是以男性规范为规范，女性话语的失落。
Part I: Feminine movie-making from1949through1976, which was bounded by male's ideas and marked with the loss of female voice.
本文从生存哲学的角度重读徐坤的《厨房》，探讨了女性真爱失落的原因。
T his essay mainly deals with Xu Kun's the kitchen from on existently philosophical point of view, treating the reasons for which the true love of the female loses.
跪在这位被放逐、失落已久的神圣女性的足踝前的祈祷之旅。
A journey to pray at feet of the outcast one, the lost sacred feminine.
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