哈罗德·布卢姆写道,我认为他说得对极了,弥尔顿在《失乐园》的开头对迟到进行了有力的辩护。
Harold Bloom has written, and I think he's absolutely right, that Milton begins Paradise Lost with a powerful defense against lateness.
从我们一直看的祈祷,从《失乐园》第三卷中的祈求,参孙开始附和弥尔顿。
Samson begins to echo Milton from the invocation that we've been looking at, the invocation to Book Three of Paradise Lost.
哈特曼描述了弥尔顿在《失乐园》中的倾向,他借用了柯勒律治的这个习语:由外而内俯视自身的趋势。
Hartman describes Milton's tendency in Paradise Lost, and he takes this term from Coleridge: the tendency to stand ab extra, to stand from outside.
But one of Milton's projects in Paradise Lost is to effect his forgetting of all of his literary precursors.
但是弥尔顿在《失乐园》中的一个计划是,让自己忘记所有文学前辈。
Harold Bloom has written, and I think he's absolutely right, that Milton begins Paradise Lost with a powerful defense against lateness.
哈罗德·布卢姆写道,我认为他说得对极了,他说弥尔顿,在《失乐园》的开头对这些“晚“进行了有力的辩护。
This is a myth that has and will continue to haunt Milton all the way up through Paradise Lost.
这个神话曾一度而且会一直萦绕着弥尔顿,并贯穿了《失乐园》全诗。
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