在绘画语言上，更注重画面的形、色、构图、笔触、肌理等绘画因素的综合运用。
It pays more attention to comprehensive use of those painting factors such as figure, color, composition of a picture, brushwork, texture, etc.
绘画语言的融合是有边界的，只有在不失去水彩画自身特质条件下的融合和借鉴才是真正有意义的。
The fusion of painting language has fostered and formed the special quality and aesthetics of Chinese watercolor, thus promoting the maturity and evolution of it.
只有当一种符号式的绘画语言在人们的视觉信息库中占有一席之地的时候，艺术家才有希望走出来。
Only when a symbolized language of painting, which has already taken a place in people's repository of vision and information, had the artist the chance to walk out from neglect.
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