将移动性作为另一个因素添加到其中，就使其成为了四重播放。
Adding mobility as another factor makes it a quadruple play.
这是弦乐四重奏的模型，富有装饰性音型的引子不断持续，抹去了韵律的常规结构。
This idea ACTS as a model for the string quartet whereby successive introductions of ornamental figures obliterate the regular structure of the verse.
并选取海顿喜剧性弦乐四重奏的成熟作品进行具体实例分析。
Meanwhile, it analyses the live examples that selected from Haydn's mature works of String Quartet.
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